TEASER FADE IN: EXT. HOMESTEAD - DAWN - DAY ONE - FEBRUARY 1872 1 Establishing, at sunrise. Sully's horse is tethered to the hitching post. INT. MIKE AND SULLY'S BEDROOM - DAY ONE 2 MIKE is asleep, alone in bed. The door opens. SULLY quietly comes in, wearing his coat and carrying a pack. He looks over at Mike, happy to see her, then turns to get settled. Mike stirs. Groggy, she sees Sully from behind. MIKE Sully...? He turns. Mike smiles and props up, surprised and delighted. MIKE You're home. Sully smiles and moves to the bed. They embrace. MIKE I wasn't expecting you until this afternoon. SULLY Rode all night. Didn't wanna spend another night sleepin' in Manitou. MIKE You finished the fence? SULLY (nods, pleased) They paid me five dollars extra for doin' it early. Mike is pleased, too, but also concerned. MIKE You've been working so hard. SULLY Look who's talkin'. MIKE Yes, but I don't have to leave home when I do. (CONTINUED) 2. CONTINUED: 2 SULLY Gotta go where the work is, Michaela. We got a mortgage to cover. MIKE I know ... (perturbed) And I feel so guilty about it, Sully. If I hadn't burned everything at the clinic -- SULLY Ya had to. It was the only way to get rid a the source of the infection. MIKE Yes, at my clinic. But now we both have this loan -- SULLY Hey, whatever happens to you, happens to me. We're in this together. Mike is appreciative, but she still feels responsible. SULLY 'Sides, I don't mind the hard work. It's the sleepin' apart I can't get used to. MIKE (smiles softly) I'm just glad that you're home. SULLY Only place I wanna be. They kiss. Then, to Sully's surprise and disappointment, Mike gets out of bed. SULLY Where ya goin'? MIKE I have to bake. SULLY Bake? MIKE And straighten the house. (reminding him) Our guest is coming today. (CONTINUED) 2A. CONTINUED: (2) 2 SULLY Daniel? You don't have to make a fuss over him. (CONTINUED) 3. CONTINUED: (3) 2 MIKE Sully, he's your oldest and dearest friend. I want to make a good impression. SULLY But ya don't have to worry 'bout that. Daniel's like family. MIKE Exactly. Sully surrenders, watching Mike start her day as we -- CUT TO: INT. BARBERSHOP - DAY ONE 2A JAKE is stropping his razor. His reclining CUSTOMER's face is wrapped in a hot towel. LOREN waits his turn, reading the Gazette. The headline: Stock Market Slides. He gripes: LOREN Why's Dorothy wastin' space printin' stories like this? I want local news. Local. Who cares what's goin' on in New York? The customer raises his hand. Jake starts removing the towel, preparing to shave him. LOREN So what if the Stock Market's slipped? The customer abruptly sits up, making Jake jerk his razor back. It's PRESTON. PRESTON Slipped? JAKE Yeah, ya almost lost an ear. PRESTON (waving for the paper) The last I read in the Denver Post, the market was stable. LOREN (handing it over) Well, it says here all a those blue bloods're runnin' scared, cashin' in their investments. (CONTINUED) 4. CONTINUED: 2A PRESTON They're fools then. Alarmists. (reassuring himself) The market fluctuates. One must be prepared to weather the ups and downs. Loren and Jake share a look as Preston voraciously reads the article. EXT. SHERIFF'S OFFICE - DAY ONE 3 MATTHEW comes outside and joins Mike (holding KATIE), Sully, and BRIAN. Mike looks especially beautiful. MATTHEW Been about a year since ya went to Virginia City, Sully. Bet Daniel's mine's grown a lot since then. BRIAN (wide-eyed enthusiasm) Yeah. How much gold do ya think Daniel's got? MIKE Well, we're certainly not going to ask him, Brian. It's not polite to question people about money. Brian looks abashed, but Sully is amused. SULLY Bet Daniel wouldn't mind if ya asked 'im about searchin' for gold, Brian. He's got a real way with words. Brian smiles. The family turns toward the train station, but Preston hurries over from the barbershop and stops them. The Gazette is tucked under his arm. PRESTON Sully... Michaela? Sully and Mike exchange glances, expecting to be annoyed. PRESTON Just a friendly reminder -- as of today, you are three weeks late on your mortgage payment. (CONTINUED) 5. CONTINUED: 3 Sully surprises Preston with an envelope. Preston peeks inside and fingers the cash. His smile slips. PRESTON I'm afraid you must've miscounted. SULLY You'll get the rest. You got my word. PRESTON I have more than that, Sully -- I have your signature. On loan papers. Binding documents. And those deadlines are there for a reason. Brian watches his parents, worried. Mike gives Sully a calming look. MIKE We appreciate your patience, Mr. Lodge. PRESTON You do understand there are late fees. Penalties. And your next payment is due in a week. MATTHEW Another "friendly reminder"? PRESTON (sliding on a smile) Precisely. There's a distant TRAIN WHISTLE. SULLY We got a train to meet. Sully turns the family toward the station, leaving Preston disgruntled... EXT. TRAIN STATION - DAY ONE 4 The train arrives. ANGLE - THE DOORWAY OF THE TRAIN Steam billows as the CONDUCTOR steps down, followed by the PASSENGERS. 6. +ON THE PLATFORM 5 Sully looks up at the doorway, his grin poised to break in anticipation. Further behind him, Matthew gathers with Brian and Mike lifts Katie out of her carriage. She smooths the baby's collar, then turns toward the train, quickly primping her own hair. +ANGLE ON - DANIEL SIMON 6 as he emerges from the car, dressed in a stylish but understated suit, carrying luggage. He is a charismatic, ruggedly handsome man. Warm, personable, with a rich sense of humor. +SULLY AND DANIEL 7 Spot each other and move closer, kidding each other like comfortable old friends: DANIEL Well, will ya look at you... SULLY (re: Daniel's clothes) What's this? DANIEL It's called a suit, Sully. They grin and embrace, slapping each other's backs. +ANGLE ON - MIKE 8 As she curiously observes Daniel, weighing her first impression. +RESUME 9 Daniel looks toward the family, explaining: DANIEL Sully ain't used to seein' me like this. SULLY Ya look good. Daniel and Sully trade smiles, excited to be reunited. SULLY Now c'mon, meet ev'rybody... (CONTINUED) 7. CONTINUED: 9 Matthew steps forward and shakes Daniel's hand. MATTHEW Matthew Cooper. SULLY Our sheriff. DANIEL I see. Has Sully told ya 'bout all the trouble we used to cause? MATTHEW Musta slipped 'is mind. Matthew glances curiously at Sully, who quickly moves Daniel over to Brian. Daniel shakes his hand. DANIEL You must be Brian. BRIAN Hello, sir. There is a subtle, unspoken connection between them, as if they share a secret. DANIEL Daniel, Brian. Y'know, your pa wrote me all 'bout ya. Even got 'im to send me some a your articles. BRIAN Ya did? DANIEL Yep. 'Specially liked that one 'bout your friend Anthony goin' to the town school. Brian looks touched. Sully brings over Katie. SULLY Colleen's at school, but here's her baby sister. Daniel holds her little hand. DANIEL Katie... an angel, Sully... Sully beams. The next is a big moment for him: SULLY Daniel? This is Michaela... (CONTINUED) 8. CONTINUED: (2) 9 Daniel follows Sully's glance as Mike moves forward and graciously extends her hand. MIKE It's a pleasure to meet you, Daniel. Daniel shakes Mike's hand, genuinely struck by her beauty. He regains his composure and smiles sweetly. DANIEL The pleasure's all mine. Mike smiles. Sully comes over, delighted. SULLY Waited a long time for the two a you to meet. Let's go home. Mike nods in agreement, beaming between Sully and Daniel as we slowly... FADE OUT. END OF TEASER 9. ACT ONE FADE IN: EXT. HOMESTEAD - DAY ONE 10 Sully drives up. Mike sits beside him, holding Katie. In the back, Brian is enraptured by Daniel's story. DANIEL (with hushed intensity) The boards creaked, then started to crack an' splinter... when all of a sudden -- (makes the sound of a crash) The mine collapsed! An' two tons a rock came tumblin' past me, stoppin' just inches over Sully. Brian gapes at Sully, then looks back at Daniel, eager to hear more. Mike and Sully exchange amused looks, climbing down from the wagon. DANIEL But d'ya think he panicked, Brian? No, sir. Sully just waited. Didn't move. SULLY My leg was caught. I couldn't. Everyone smiles. Sully looks at Daniel with heartfelt appreciation. SULLY It was Daniel dug me out. Coulda got 'imself killed, but he kept diggin', kept on goin' 'til he reached me. BRIAN (turns to Daniel, awed) You saved Sully's life. DANIEL Sully woulda done the same for me. Daniel and Sully share a look -- we sense the strong bond of friendship between them. Mike is pleased to see their regard for each other. Daniel and Brian climb down. (CONTINUED) 10. CONTINUED: 10 MIKE We're all eternally grateful for your actions, Daniel. How will I ever repay you? DANIEL How 'bout dinner, Michaela? I'm starvin'. Mike smiles agreeably. Brian excitedly helps Daniel with his bags. BRIAN You're in Colleen's room. But don't worry, she took most a her girl things with her to school. DANIEL Well, that's a relief. Sully and Mike linger behind, watching them go inside. Sully turns to Mike, waiting for her opinion. MIKE He's wonderful, Sully. Warm and charming... SULLY (sensing her hesitation) But...? MIKE Well -- I don't know... I suppose I expected your best friend to be someone like you. SULLY Daniel 'n me think the same way 'bout most things. MIKE Yes, but even so, what was I thinking? (looks at Sully) There's no one like you. Sully smiles. EXT. GAZETTE - DAY ONE 11 HANK takes a Gazette out of the bin and waves Jake over to show him the paper. (CONTINUED) 11. CONTINUED: 11 HANK Look. Did ya see? Our new advertisement -- (showing him) "Weekend Special. Free Drinks for Guests of The Gold Nugget." JAKE (aghast) Free drinks? HANK But look at, the fine print? "A two-week stay is required." Jake holds the paper closer, squinching his eyes. INSERT -- THE ADVERTISEMENT. It reads: "Weekend Special, Free Drinks for Guests of the Gold Nugget." The print underneath is barely legible. JAKE A two-week stay... (grins) I like it. Hank nods. They're about to return to The Gold Nugget when DOROTHY's laughter inside the Gazette draws their attention. DOROTHY and CLOUD DANCING come to the door, clearly enjoying each other's company, not yet noticing Jake and Hank. CLOUD DANCING That is a true story. DOROTHY Cloud Dancin', I never know when you're teasin' me... Dorothy grins, putting her hand on Cloud Dancing's arm. Then she spots Jake and Hank staring at her with their eyebrows raised, and quickly pulls her hand back. Cloud Dancing responds to her uneasiness by making a quick, polite exit, smiling at Dorothy and nodding at Hank and Jake. CLOUD DANCING Good afternoon. Hank and Jake watch Cloud Dancing leave, then turn their wary gaze on Dorothy. JAKE You two been spendin' an awful lotta time together. (CONTINUED) 12. CONTINUED: (2) 11 DOROTHY Well, I'm writin' a book about 'im, Jake, I've gotta do the proper research. HANK What kinda "research"? DOROTHY (frowns, a tad defensive) Well, next time, for instance, Cloud Dancin's gonna show me 'bout gatherin' herbs. HANK You goin' out there with 'im? Alone in the woods? DOROTHY That is where herbs grow. Hank and Jake trade derisive looks, then head for their hotel. DOROTHY Hey! They turn. Dorothy holds out her hand. DOROTHY A penny. She motions to their Gazette. Hank pays up. INT. HOMESTEAD - NIGHT ONE 12 Mike, Sully, Daniel and Brian enjoy dessert. Daniel finishes his slice of pie. DANIEL Second piece was even better. You're a fine cook, Michaela. Mike grins, unaccustomed to this kind of praise. MIKE Daniel, I don't know what you're used to eating, but I thank you. Sincerely. Daniel smiles. Sully glances at the hearth. SULLY Fire's dyin'. Gotta get some more wood. (CONTINUED) 13. CONTINUED: 12 Sully stands. Daniel sees an opportunity for them to talk privately and stands up, too. DANIEL I'll help ya. BRIAN But ya gotta finish tellin' how you -- MIKE Brian, you've barely given Daniel a moment to breathe. DANIEL Oh I don't mind. Brian? Be back in a minute. Brian nods. EXT. HOMESTEAD - CONTINUOUS - NIGHT ONE 13 Sully and Daniel come outside. DANIEL He's a good boy, Sully. A good son. SULLY (with pride) Yeah, he is. As they head for the woodpile, Daniel looks around, clearly impressed with the homestead. DANIEL Shoulda known you were bein' modest with me. SULLY Huh? DANIEL This house. You been describin' some nothin' little lean-to in the woods, but this... Daniel pauses to admire the house and the setting. SULLY Yeah, well... I wanted to give Michaela somethin' special. Build a good home for her 'n the kids. (CONTINUED) 14. CONTINUED: 13 DANIEL (looks at Sully with esteem) Ya sure did. Sully looks pleased. He and Daniel start collecting logs. SULLY So when're you gonna be settlin' down? DANIEL Soon as I find the right girl. An' now that I sold the mine, I got plenty a time to look. Sully stops, stunned, not sure what he heard. SULLY Sold it? Daniel laughs, amused by his reaction. Then, more seriously: DANIEL All those years I was wanderin' around, explorin', hopin' to strike gold? The strange thing is, soon as I did, felt like the best part was over. I mean, it was excitin' to find gold 'n all, but -- (shrugs) Guess what I really liked was all that wanderin' 'n explorin'. Daniel and Sully share a smile of perfect understanding. SULLY So whad'ya gonna do? DANIEL I dunno exactly. But I made my money, now I wanna do... somethin' important, y'know? (beat) The first thing I wanna do is make sure ya get your fair share a the profits. Sully knits his brow. SULLY What profits? (CONTINUED) 15. CONTINUED: (2) 13 DANIEL From the mine, Sully. All that time and hard work ya put in, helpin' me get it started? SULLY But I didn't do it for money, Daniel. I did it 'cause ya needed my help. DANIEL I know. An' I never coulda done it without ya. Daniel hands over an envelope. Sully is caught completely off-guard by this. DANIEL That's your piece. Sully looks inside at the cash. SULLY Mighty big piece. DANIEL Well, you earned it. After a beat, Sully looks at Daniel, unwavering. SULLY I'm real glad for your success, Daniel. An' I thank you, I do. But I can't take this... Sully hands back the envelope. Daniel sighs knowingly. DANIEL You're just as stubborn 'n prideful as you ever were. SULLY Guess so. DANIEL Well, I'm gonna stick aroun' for awhile. I hope you'll reconsider. For Sully, there's little chance of that. But he smiles politely and turns away to gather more logs. 15A. INT. MIKE'S AND SULLY'S BEDROOM - NIGHT ONE 14 Mike and Sully get ready for bed. Mike brushes her hair. Sully takes off his shirt. (CONTINUED) 16. CONTINUED: 14 MIKE It was very decent and generous of him to offer. Mike is appreciative, but troubled. Sully knows what she's thinking -- the money would have cleared their debt. SULLY Robert E's got more work for me, Michaela -- an' I'll keep checkin' around. MIKE (nods, smiles) We're fine. They continue undressing. EXT. GRACE'S CAFE - DAY TWO 15 Daniel and Sully eat, surrounded by interested listeners Dorothy, ROBERT E, GRACE, and Brian. Hank and Jake, eavesdrop from another table. Preston sits at another. DANIEL The first time I met Sully? SULLY Now don't get into that. Daniel playfully ignores him. DANIEL It was back in New York. We were younger'n you, Brian. Sully was busy introducin' me to 'is left fist. Everyone reacts. SULLY I met Daniel's right one directly after. BRIAN Ya mean you two were fightin'? DANIEL 'Fraid so. Over a game a marbles. SULLY We had a "difference of opinion." (CONTINUED) 17. CONTINUED: 15 DANIEL But things worked out somehow, an' me 'n Sully been on the same side ever since. Sully and Daniel trade looks. BRIAN Then ya met up out West again. DANIEL That's right. Just the two of us, barely in our teens, 'n ready to take on the frontier. HANK (pipes in, insinuating) You fellas musta blazed a few trails along the way, huh? DANIEL (aware of Brian's presence) We got into a scrape or two. At his table, Preston needs more coffee, trying to get Grace's attention. PRESTON Grace? GRACE (focused on Daniel) That was real brave, two boys travelin' all alone like that. DANIEL No braver than you 'n Robert E, Grace. Movin' out here to a strange new place? An' now look at ya, ya both got your own businesses. Grace and Robert E smile, flattered. Preston heads over with his empty cup, annoyed. GRACE Well... we do work hard... PRESTON (pouring his own coffee) Not hard enough. (CONTINUED) 18. CONTINUED: (2) 15 Grace gives him a look. DANIEL An' you Dorothy, runnin' the newspaper? I do so admire what you folks've done here in town... Dorothy enjoys Daniel's praise, too. DOROTHY What kinda work do you do, Daniel? DANIEL I was in the minin' business. ROBERT E Coal? BRIAN Gold. PRESTON (now he's interested) Gold? Jake and Hank shift closer, too. Sully is pleased that everyone is taken with Daniel, but he suddenly feels forgotten, inadequate. JAKE How'd ya make out? DANIEL Got lucky. I found some. JAKE How much exactly? Daniel is too modest to respond, but Brian chimes in: BRIAN It ain't polite to question people 'bout money. Jake frowns. PRESTON Sully, perhaps you should take a few pointers from your accomplished friend here. Daniel looks up at Preston -- who is this guy? (CONTINUED) 19. CONTINUED: (3) 15 DANIEL Beg your pardon, sir, but p'haps you should take a few pointers from Sully. This stifles Preston. Sully looks at Daniel appreciatively. INT. CLINIC - DAY TWO 16 Mike takes the last stitch out of MR. SIMKIN's hand. MIKE There. Your hand has healed beautifully, Mr. Simkin. MR. SIMKIN Yeah, an' next time I won't use it to stop my saw. Mike smiles. There's a knock on the door. Daniel pokes in. DANIEL Oh, 'scuse me. I'll come back. MIKE That's alright, Daniel. Why don't you wait outside for a moment? We've just finished. MR. SIMKIN C'mon in, if ya like. Doc just took out my stitches. DANIEL Oh, sure, if you don't mind. Daniel steps inside and looks around with interest. Mr. Simkin reaches into his sack and presents Mike with three jars of preserves. MR. SIMKIN These oughta cover it. MIKE (hesitates, disappointed) Peaches... Daniel glances over, watching their interaction. MR. SIMKIN That's alright, ain't it? Mike snaps out of her dismay and smiles graciously. (CONTINUED) 20. CONTINUED: 16 MIKE Of course. Your preserves have always been delicious. Thank you. Mr. Simkin nods at Mike and Daniel, then leaves. Daniel looks at Mike with an admiring smile. DANIEL Sully told me all 'bout your kindness, now I seen it for m'self. Daniel indicates the preserves. MIKE (matter-of-fact, a little embarrassed) Oh, well, many of my patients pay me in kind, and normally I wouldn't think twice about it, but now... (beat) Unfortunately, they don't accept peaches at the bank. Daniel doesn't want Mike to feel uncomfortable. DANIEL Too bad. Be nice to do all your shoppin' 'n bankin' at the same place. Mike smiles, grateful for his tact. MIKE It would, now wouldn't it? OFF Daniel and Mike enjoying their friendly moment... INT. HOMESTEAD - DAY TWO 17 Her brow furrowed, Mike writes on a pad at the table. Sully comes inside. His spirits seem bright and optimistic. SULLY Hey. Mike glances up with a weak smile. SULLY Daniel back from town? (CONTINUED) 21. CONTINUED: 17 MIKE Not yet. SULLY (looking over her shoulder) What's that? MIKE A budget. SULLY A budget? Michaela -- He has something positive to tell her, but she's distracted. MIKE I don't see how we'll ever be able to conserve enough, Sully. We have the loan, and Colleen's tuition... (beat) Perhaps we should wire Mother. SULLY (no way) We ain't borrowin' another cent from your mother. MIKE But -- SULLY Michaela, I got a job. MIKE (reacts) You did? SULLY On a cattle drive. A rancher stopped by Robert E's, hirin' men. MIKE But -- a cattle drive? That means you'll have to leave home again. BRIAN (O.S.) How long this time? Sully and Mike look toward the stairs. Brian is there, dismayed. (CONTINUED) 22. CONTINUED: (2) 17 SULLY Few days. BRIAN Maybe ya don't have to go. SULLY I got to, Brian. BRIAN But Daniel just got here. Maybe -- SULLY Brian, I don't like leavin' ya -- (turns to Mike) But this is our best chance at makin' a good chunk a money. It'll cover our mortgage for the next three months. MIKE When do you go? SULLY Day after tomorrow. Mike nods, but she shares Brian's sentiments. Sully reaches out to reassure her. SULLY It ain't been easy, but we're gonna get this loan off our back, Michaela. (beat) I'll never let us lose the homestead. That's a promise. Mike musters a comforted smile, as we... FADE OUT. END OF ACT ONE 23. ACT TWO FADE IN: EXT. GENERAL STORE - DAY THREE - TO ESTABLISH 18 LOREN (V.O.) Four ... five ... six ... INT. GENERAL STORE - DAY THREE 19 CLOSE ON MONEY being counted at the register. REVEAL Loren paying CLOUD DANCING. The REVEREND sits nearby. LOREN Seven... eight... and a lady bought two a your watchamacallits. Loren holds up a beautiful piece of Indian jewelry. CLOUD DANCING Bracelets. LOREN Bracelets, yeah. So that makes nine. CLOUD DANCING Ten. One dollar for each. We agreed. LOREN On fifty cents. REVEREND On a dollar. I remember. Loren shoots the Reverend a look. LOREN Why don't ya sit outside for a change? Fresh air'll do ya good. REVEREND (with a smile) I'm comfortable. LOREN (sighs, pays Cloud Dancing) Two makes ten. Cloud Dancing nods his thanks, then moves to the door, running into Mike on her way in. They're happy to see each other. (CONTINUED) 24. CONTINUED: 19 MIKE Cloud Dancing. I didn't know you were in town today. Can you stay for lunch? CLOUD DANCING I am sorry, Michaela. I have -- an appointment... with Dorothy. MIKE (hesitates, then smiles) Oh. At this, Loren perks up and looks over with a scowl. Cloud Dancing nods to Mike, then leaves. Mike moves inside. MIKE Good morning, Reverend. Loren. REVEREND Michaela. MIKE (uncomfortable) Loren, I need to buy a few things. And I'll need to charge them to my account. Loren flips to Mike's page in his ledger. LOREN Well, I s'pose I could -- (looks at Mike pointedly) Start another page. MIKE (reacts) I appreciate it. Mike proceeds to shop. EXT. WOODS - DAY THREE 20 Through a thicket of trees, we see Dorothy, holding her parasol, following a few feet behind Cloud Dancing. The image should be lovely and lyrical -- an unusual couple out for a stroll in the peaceful forest setting. 25. +CLOSER 21 Cloud Dancing stoops by the base of a tree and digs up some roots. Dorothy cranes her neck to observe. CLOUD DANCING (TBA: in Cheyenne) Valerian and Black Cohosh ... (beat) In English, Valerian and Black Cohosh. Dorothy nods, learning, writing it down. Cloud Dancing gets up and shows her the herbs. CLOUD DANCING Both can be brewed as tea for a deep healing sleep. DOROTHY (intrigued) The tea helps ya to sleep. Cloud Dancing nods and they keep walking. DOROTHY How'd ya learn about all a these herbs? CLOUD DANCING I was taught by my father, who was taught by his... DOROTHY (taking notes) Passed on through the generations... CLOUD DANCING Yes. It was a great honor to receive this knowledge, but now my family, my son, is gone... and the tribes, they are scattered. (disturbed) I ask myself... who will be taught now? Now, who will know? DOROTHY You're teachin' me, Cloud Dancin', and I'm writing it all down. So more people will be able to learn... Cloud Dancing nods appreciatively. He spots a bush. CLOUD DANCING Lavender... (CONTINUED) 26. CONTINUED: 21 He clips off a sprig and holds it out for Dorothy to smell. Dorothy smiles and steps closer. As she inhales the heady scent, she meets Cloud Dancing's close steady gaze -- and gets slightly mesmerized. DOROTHY And -- what's lavender used for? CLOUD DANCING Nothing. It smells good. Dorothy looks at Cloud Dancing. He smiles beguilingly. She smiles back. A beat. They stare into each other's eyes. She lifts her face toward his. He leans closer. But at the last instant, Dorothy gets nervous -- and moves away toward more greenery. DOROTHY What's this ... ? CLOUD DANCING (composing himself) Let me see. They continue hiking together. EXT. LIVERY - DAY THREE 22 Sully and Daniel walk over. DANIEL So what time do ya leave tomorrow? SULLY 'Round eight. Robert E leads over Sully's horse. ROBERT E Got 'im all set for your trip, Sully. Took the liberty a puttin' on a new set a shoes. Sully hesitates -- this means another expense. SULLY Four shoes... ROBERT E I didn't want ya to run into any trouble out there. (CONTINUED) 27. CONTINUED: 22 SULLY Yeah -- thanks, Robert E... Sully reaches into his pocket. Robert E realizes Sully's concern and leans closer to stop him without fuss. ROBERT E Forget about it. Sully nods, grateful. Daniel looks on, admiring Robert E's unpretentious compassion. As Robert E returns to work, Matthew approaches on his horse. DANIEL Hey, Sheriff. MATTHEW Hey, Daniel. Sully? I got somethin' to tell ya, I thought you should know. Matthew climbs off his horse. SULLY What is it? MATTHEW It might just be rumors an' all, but the word is... that rancher who hired ya? (Sully nods) Heard if his cattle don't sell at the right price, he don't pay 'is men what's been promised. SULLY That so? MATTHEW Like I said, I only heard it. But it's a risk. (beat) Maybe you shouldn't go. SULLY I got to, Matthew. If he pays like he should that's a big pot a money. MATTHEW I know. Matthew takes Sully aside for a private moment. (CONTINUED) 28. CONTINUED: (2) 22 MATTHEW But I been thinkin'... I could sell my homestead. After all, you gave it to me -- Sully lets this kind gesture register -- but cannot accept it. SULLY That's right, Matthew, I gave it to ya. MATTHEW But I wanna help -- SULLY I know, an' I 'preciate it. But you keep your house. Ev'rythin's gonna work out fine. Grateful, Sully puts his hand on Matthew's shoulder. Matthew nods, glances at Daniel, then walks his horse toward his office. DANIEL You got a lot a people that care about ya. Sully nods. Daniel proceeds carefully: DANIEL Sully, look -- it seems a real shame you havin' to leave your family for some job that may not pay off -- and all so's you can hand whatever money ya make over to him? Daniel glances scornfully at Preston's bank. SULLY I got no choice, Daniel. I borrowed money from the bank, I gotta pay it back. DANIEL But s'pose ya forget that cattle drive. S'pose ya borrow the money from me. Sully is ready to balk, but Daniel cuts him off. DANIEL Hear me out. Let me lend ya the money. Then ya can pay that banker off and owe the money to me. (CONTINUED) 29. CONTINUED: (3) 22 SULLY No. Lettin' money come b'tween friends ain't good. DANIEL Well, I ain't takin' "no" for an answer just yet. You think about it, an' I'll ask ya again. Sully sighs, then nods, agreeing to consider the offer. INT. HOMESTEAD - NIGHT THREE 23 Brian and Mike, who holds Katie in her lap, watch Daniel skillfully move a quarter around his fingers. +ANGLE ON - SULLY 24 He sharpens his knife at the fire. His pack is beside him, ready for the trip. He glances over, glad to see Daniel entertaining the family. +RESUME 25 Daniel suddenly pops open his hand -- the coin is gone. BRIAN Where is it? DANIEL Right here -- With his other hand, Daniel "magically" pulls the coin out of Katie's ear. Brian and Mike grin. Daniel takes the baby. DANIEL You c'mere now, sweet girl -- let's see if I can shake any more change outta ya... To Katie's delight, Daniel bounces her on his knee. Brian looks at Sully and sees him tying up his pack. Brian's smile fades. He approaches Sully, troubled. SULLY Daniel showin' you all a his tricks? BRIAN Yeah. (beat) I like havin' an Uncle. (CONTINUED) 30. CONTINUED: 25 Sully is pleased that Brian feels this way about Daniel. BRIAN Wish you could be aroun' while he's here. SULLY Brian, we talked about this -- BRIAN I know. But Daniel's your friend, Pa. (blurts it out) Why won't ya just take the money? Sully looks at him quizzically. Daniel and Mike glance over. SULLY How'd you know 'bout that? Brian pales, realizing his flub. BRIAN I... Brian trades awkward glances with Daniel. MIKE Brian? Daniel gets up. He doesn't want Brian to take the heat. DANIEL Sully -- Brian wrote me a letter. SULLY A letter? DANIEL (no big deal) He just wrote that times were tough. Sully and Mike look at Brian for an explanation. BRIAN When I saw how much you 'n Ma were worryin' -- an' you havin' to leave home all the time -- I didn't know what else to do... Sully is steamed, feeling duped. Brian feels terrible. (CONTINUED) 31. CONTINUED: (2) 25 BRIAN 'Til I remembered how you went to help Daniel when he needed ya. (beat) I'm sorry, Pa. Mike puts her arm on Brian's shoulder and gives Sully a look -- don't be too hard on him. SULLY I know ya meant well, Brian, but -- (turns to Daniel) You knew when ya came that we needed the money. DANIEL Yeah, I did. SULLY That makes it charity, Daniel. DANIEL It ain't charity. MIKE Sully, I'm sure Daniel meant -- SULLY It's charity, Michaela, pure 'n simple. Sully turns away to secure his pack. Case closed. Mike gives Daniel a sympathetic look. EXT. HOMESTEAD -- MORNING - DAY FOUR 26 Sully takes his pack off a fence post, slings it over his shoulder, then turns to Mike, Brian, and Katie to say his goodbyes. SULLY Be back 'fore ya know it. Sully kisses Mike, then glances toward the porch as Daniel steps outside. He goes over to him. SULLY Look. I 'preciate what ya tried to do. Still, -- DANIEL I understand. You gotta take care a this thing on your own. Sully nods, happy that Daniel understands him. (CONTINUED) 32. CONTINUED: 26 SULLY I'm grateful you're stickin' aroun' while I'm gone to look after things. DANIEL 'Course, Sully. Glad to. SULLY Be good to see ya when I get back. Daniel smiles. Sully climbs onto his horse, which is saddled in preparation for the cattle drive. BRIAN Bye, Sully. SULLY See ya soon. Sully exchanges another look with Mike, then gallops off. +CLOSE ON - MIKE 27 Watching him, missing him already. +CLOSE ON - SULLY 28 As he pauses at the top of the drive and looks back. +SULLY'S POV 29 Daniel waves beside Mike, Brian, and Katie. They look like a family. +SULLY 30 Waves back, comforted by the sight of his old friend staying in his absence. He gallops away. FADE OUT. END OF ACT TWO 33. ACT THREE FADE IN: INT. CLINIC - DAY FIVE 31 Mike lifts her new microscope out of its packing crate. She admires it, then notices the invoice and puts the scope down with a perturbed sigh. Mike glances over at her new instruments, touching them with fond regret. She sits at her desk, takes a breath, and jots down some notes. There's a knock on the door. Mike looks up. MIKE Come in. Mike is surprised to see Daniel enter. MIKE Daniel. DANIEL Don't mean to intrude. Thought ya might like to stop for lunch. MIKE Oh, I'd love to, Daniel, but I can't, I'm too busy. Daniel glances around the empty office, raising an eyebrow. MIKE (smiles slightly) Not with my patients, I'm -- well, I've decided to sell a few of my supplies. DANIEL But I thought ya just bought 'em. MIKE I did. -- in fact, my microscope just came today -- but I have to contribute something. Sully's away, working so hard, and my supplies are brand new -- I'm sure I could get a good price for them. (CONTINUED) 34. CONTINUED: 31 DANIEL Michaela, I'm afraid your supplies stopped bein' "brand new" the second ya opened the package. Prob'ly worth sixty, maybe seventy percent a what ya paid for 'im. 'Sides, someday you're just gonna have to buy new ones. Mike sighs, not pleased to be reminded of all this. MIKE If only more of my patients paid me in cash. DANIEL Have ya asked 'em to? MIKE I assumed if they could that they would. (beat) Wouldn't they? Daniel smiles. DANIEL Seems to me, most folks could afford to pay ya somethin'. But the first thing ya gotta do -- Daniel stops, not wanting to impose his ideas. But Mike wants to hear them. MIKE Go on, Daniel, please. DANIEL (simply) Set your prices. MIKE (a new concept) Prices? DANIEL Sure. Ya gotta set 'em just like Grace does at the cafe, or Robert E at the livery, or Hank and Jake over at their hotel. MIKE But I'm treating illness and injury, I'm not selling soup or renting rooms. (CONTINUED) 35. CONTINUED: (2) 31 DANIEL (gently) You're a fine doctor, Michaela, 'n that's most important, but I think ya got a right to get paid for your services, just like ev'rybody else. Mike can't argue with that, but -- MIKE Most of the people in this town are poor. DANIEL Then lemme ask ya somethin' -- if you were workin' back in Boston now, treatin' folks in some fancy office, you'd have no trouble chargin' 'em? MIKE I suppose not. DANIEL Good. So if somebody back in Boston cut his finger, what would ya charge 'im to stitch it up? MIKE A simple cut? I'm not sure. One dollar, perhaps? DANIEL Then charge the folks here fifty cents. Mike absorbs this. Daniel continues. DANIEL Two bits to treat a catarrh? Two dollars to set a broken bone? Mike listens, warming to Daniel's suggestions. DANIEL An appendix -- how much would that cost to take out? MIKE (thinking fast) Five dollars? (CONTINUED) 36. CONTINUED: (3) 31 DANIEL That's worth two-and-a-half broken bones right there. Mike smiles. DANIEL A carbuncle. Now what would ya charge for a carbuncle? MIKE (in the spirit) Hmm ... Large or small? They share a smile. EXT. GRACE'S CAFE - DAY FIVE 32 Jake, Hank, Loren and the Reverend enjoy their dessert. JAKE Best pie west a the Mississippi. The others agree, eating it. Hank signals Grace. HANK Grace? 'Nother piece a your pumpkin pie. Grace sweeps by. GRACE Sorry. Just sold the last of it. Hank mournfully watches her serve the slice to another table. HANK That was my pie... Hank slumps, then notices -- the Reverend is innocently sipping his coffee, leaving his pie exposed. Hank slyly moves his fork toward the Reverend's plate. Jake and Loren grow silent, watching him. The Reverend reacts to the sudden quiet, catching on just in time. REVEREND (protecting his pie) Don't even think about it. LOREN (to Hank with disdain) Tryin' ta steal food from a blind man. A blind Reverend. 37. +ANGLE ON - DOROTHY 33 She pleasantly approaches the men's table, holding some notebooks. DOROTHY Afternoon, gentlemen. REVEREND Dorothy. Won't you join us? Dorothy smiles, about to take a seat beside him, when -- JAKE She won't like it here, Reverend. No Injuns. Dorothy frowns and stays standing. HANK Hey, Dorothy, gotta warn ya -- some folks say ya spend too much time with their kind an' your skin'll turn as red as your hair. Dorothy gets flustered as Jake and Hank chortle. Loren looks torn, both critical and protective of her. REVEREND Hank -- DOROTHY Never mind, Reverend. I could use the quiet. I got work to do. Dorothy looks sharply at Jake and Hank, exchanges troubled glances with Loren, then moves to another table. LOREN (to Jake and Hank) Whatcha sayin' all that for? JAKE Word's gettin' 'round 'bout her 'n her Injun "research." Folks don't like it. Loren, distressed by this, gets up and heads for Dorothy. +ANGLE ON - DOROTHY 34 Smiling up at Grace, who pours her coffee. GRACE Food'll just be a minute. (CONTINUED) 38. CONTINUED: 34 DOROTHY Thank you, Grace. Grace moves away. Dorothy flips open her notebook. Loren comes up behind her, with disapproval. LOREN How many notebooks ya gonna fill 'bout that Injun? Dorothy stops and looks at him -- suddenly Cloud Dancing is "that Injun"? DOROTHY Who? LOREN You know who I mean. Cloud Dancin'. DOROTHY I thought ya knew 'is name. (beat) I'll finish when I'm finished, Loren. I still got more to learn about Cloud Dancin's customs an' ways. They're all so different than our own. They're fascinatin'. LOREN They're fascinatin'? Or he is? Dorothy hesitates -- and her hesitation disturbs her. LOREN Here I let you go an' do this -- DOROTHY You let me? LOREN But you just gone too far. People are startin' to talk. DOROTHY What people? Dorothy looks around, chuckling, not expecting any attention. +DOROTHY'S POV 35 SEVERAL DINERS are in fact staring at her, whispering. 39. +BACK TO DOROTHY 36 Thrown. Stunned to be the object of scorn. LOREN (more of an appeal than an order) You gotta stop seein' 'im. DOROTHY But Loren -- my book... LOREN This ain't about your book anymore. You been a respectable lady in this town, an' what you're doin' now -- well, it just ain't right. Dorothy glances around self-consciously and catches more TOWNSFOLK staring. She shrinks in her seat as we -- CUT TO: INT. CLINIC - DAY FIVE 37 Mike inspects elderly MRS. CRAIG'S arthritic hands, gently moving the knuckles. MRS. CRAIG Seems like I just looked down one day and there they were -- my Grandma's hands. 'Cept they're mine. MIKE (smiles respectfully) They're the strong, proud hands of a woman who's worked hard all her life. MRS. CRAIG Did what I had to do. MIKE Did the juniper and warm soaks relieve any of the stiffness? MRS. CRAIG It did, some. MIKE (giving her a packet) I'd like you to try adding a spoonful of these yew leaves next time. Let them steep. The combination has proven effective. (CONTINUED) 40. CONTINUED: 37 MRS. CRAIG Alright, Dr. Mike. MIKE I'm here if you need me. Otherwise, I'll see you again in six weeks. MRS. CRAIG That it then? Mike hesitates and smiles nervously. MIKE Well, there is the matter of -- payment. MRS. CRAIG Oh, yeah, I'm glad ya reminded me... Mrs. Craig happily reaches into her bag. Mike looks on, surprised and relieved. Mrs. Craig smiles, pulling out two embroidered napkins. Mike sees them and sags. Mrs. Craig is puzzled by Mike's dismay. MRS. CRAIG They're napkins. I embroidered 'em myself 'fore my arthritis got so bad. MIKE Yes, they're very beautiful. It's just that -- well, I was speaking of -- (clears her throat, steeling herself) It's fifty cents for your visit. MRS. CRAIG Fifty cents...? MIKE A quarter. I mean a quarter. MRS. CRAIG But -- I was hopin'... Mrs. Craig looks down at her napkins. Mike weakens. She takes them with a smile. MIKE These will look lovely on my table, Mrs. Craig. Thank you. (CONTINUED) 41. CONTINUED: (2) 37 Mrs. Craig looks pleased, but Mike turns away, discouraged and disappointed in herself. INT. HOMESTEAD - NIGHT FIVE 38 Brian and Daniel are engrossed in a game of checkers. Mike comes out of the kitchen, carrying a tray of coffee and cake. Daniel looks away from the board to inspect the dessert. DANIEL Whatcha got there? Brian seizes this moment to jump Daniel's checkers all over the board for the win. Daniel turns back, mouth agape. DANIEL Best outta seven? MIKE It's getting late. BRIAN I gotta give Daniel another chance, Ma. DANIEL Actually, Brian, I'm all checkered out. You can consider yourself the true champion. BRIAN Alright, but tomorrow then. DANIEL You're on. Everyone exchanges "good nights" and Brian goes upstairs. Left alone, Mike and Daniel smile awkwardly. Mike looks for a distraction -- she prepares the coffee. DANIEL So how'd it go today? Mike hesitates -- she knows what Daniel's really asking. MIKE Well -- I billed all of my patients. DANIEL Good, good. (CONTINUED) 42. CONTINUED: 38 MIKE (glances up, abashed) I didn't say they paid me. They share a smile. DANIEL At least ya tried. Mike nods, encouraged. They sip their coffee. A beat. Daniel glances at the checkerboard. DANIEL You wanna go a round? MIKE Oh, no, thank you. Chess is my game. DANIEL (perking up) Chess? You play? MIKE Well, I love to, but I haven't played in years. DANIEL (smiles) My kind a opponent. Mike gets excited by the prospect of a game. MIKE We'll see about that, now won't we? Daniel watches Mike go to a cabinet and take out a chess set. He sits up, eager to play. DANIEL I ain't gonna go easy on ya now, just cause you're Sully's wife. MIKE Fine. That means you'll have no excuses later when you lose. Mike opens the case of chess pieces. They set up the board together. DANIEL Ya think you'll be a challenge then? (CONTINUED) 43. CONTINUED: (2) 38 MIKE I don't want to alarm you, Daniel, but I have won a trophy or two -- (glancing up slyly) Or six in my day. DANIEL (suddenly less confident) Six? Mike smiles, glowing with playful enthusiasm. They finish arranging the chess pieces. MIKE There now. You're white -- (looks up at him with a smile) Your move. Daniel grins and slides his pawn forward. Mike smiles, moving one of hers. As they continue, he watches her between moves. +DANIEL'S POV 39 SLOWLY PUSH IN ON MIKE as she plays with delight. MIKE I remember, even when I was a child, my mother and sisters would refuse to play with me. Only my father enjoyed our games -- though less so once I started winning. Mike hesitates, then captures Daniel's knight and looks up at him with an admonishing smile. By now we're in CLOSE UP, and Mike looks radiant, beautiful. +BACK TO DANIEL 40 Staring at Mike, starry-eyed, he snaps out of his gaze. DANIEL Well, now. I better watch out for you, huh? MIKE (smiles) You'd better. Daniel takes a breath and focuses on the game. (CONTINUED) 44. CONTINUED: 40 OFF Mike and Daniel playing chess by the fire as we slowly... FADE OUT. END OF ACT THREE 45. ACT FOUR FADE IN: EXT. GAZETTE - DAY SIX 41 Dorothy slips new copies of the Gazette into the bin outside her door. She smiles at the TWO TOWNSWOMEN strolling by. DOROTHY Mornin', Miz Crawford, Miz Lipton. Got your fresh copies of the paper... Dorothy holds out two Gazettes, but the women purposefully turn away and keep walking. Dorothy's smile and shoulders droop. She turns. Preston is standing there, having witnessed the snub. PRESTON I've always found Cloud Dancing to be a rather intriguing if oddly reticent fellow myself -- but if my association with him started costing me business? Well, I'd sever all contact with him in an instant. DOROTHY Well, thank you for sharin' that very tellin' remark with me, Preston -- Dorothy moves to go inside, but Preston steps in her way. PRESTON It would be wise to discontinue your relationship with him. DOROTHY I'm afraid that's none a your business. PRESTON Well, I'm afraid that it is. It's exactly forty-nine percent of my business. Or did you forget that we're co-owners of this Gazette? Dorothy swallows, remembering. (CONTINUED) 46. CONTINUED: 41 PRESTON That's right. And I am not about to stand by and lose customers because of your foolish indiscretions. Dorothy glares at Preston coldly. DOROTHY I will be conductin' an interview with Cloud Dancin' at three o'clock this afternoon. (beat) Now step outta my way. There's a tense beat, then Preston moves aside. Dorothy moves past him into the Gazette. Preston calls after her: PRESTON You've worked too hard for this, Dorothy. Do you really want to lose everything over some Indian? Dorothy hesitates, then slams the door behind her. Preston looks pleased that he's touched a nerve. INT. GAZETTE - CONTINUOUS - DAY SIX 42 Dorothy slumps back against the closed door. She sweeps her eyes over her cherished work-space, troubled by Preston's words. INT. CLINIC - DAY SIX 43 Mike is aglow with positive energy, explaining her new office procedure to Daniel. He listens with interest, but he looks uncomfortable, standoffish. MIKE I've always kept very thorough medical records, of course, but I never paid much attention to bookkeeping before. Mike holds up items, demonstrating as she continues: MIKE Now, each of my patients will receive a bill, and a receipt -- if they pay me -- and then every transaction will be recorded... Excited, Mike sits behind her desk and flips open a ledger. (CONTINUED) 47. CONTINUED: 43 MIKE Here. DANIEL Ya done good, Michaela. MIKE Well, you inspired me. Mike looks up and smiles at him. Daniel nearly melts. MIKE (waving him over to her ledger) Look ... Daniel hesitates -- getting closer is just what he's been trying to avoid. Mike gets up and moves him into her chair. MIKE I have to make certain that I record everything correctly. DANIEL I'm sure that ya will... Mike leans over him. He's uneasy, close enough to smell her hair. Mike stays focused on her ledger, but Daniel's eyes wander from the ledger to Mike. MIKE These columns are for my Cash Disbursements -- supplies and such -- and these are for Cash Receipts. Mike turns her head toward Daniel, looking for his approval. He snaps his attention back to the ledger. DANIEL Exactly right. (looks at the ledger, can't help smiling) An' ev'rythin's so straight an' neat. I mighta expected that from you. MIKE I want to thank you, Daniel, for all your advice. Too close for comfort, Daniel smiles stiffly. (CONTINUED) 48. CONTINUED: (2) 43 DANIEL Glad to help. (uneasy, shifts back) Is it time for lunch? MIKE Why yes, I suppose it is. Pleased, Mike moves for the door. Daniel is relieved that she's out of close range. He follows Mike out. EXT. WOODS - DAY SIX 44 Cloud Dancing paces by the bank of a small stream. He hears a crackling noise behind him and turns around with a smile. CLOUD DANCING Dorothy? +CLOUD DANCING'S POV -- STOCK FOOTAGE 45 A deer darts away through the brush. +BACK TO CLOUD DANCING 46 As his smile fades. He waits for Dorothy with a sigh. INT. GAZETTE - DAY SIX 47 Dorothy glances at the clock, conflicted -- it's just after three. She looks at her desk and sees: A small vase containing the sprig of lavender that Cloud Dancing clipped for her. Dorothy lifts the vase and wistfully inhales the pretty scent. A beat. She decisively gathers her things. EXT. PORCH OF THE GOLD NUGGET - SAME TIME - DAY SIX 48 Hank, Jake, and Loren shoot the breeze. Hank looks across the street, nudging the others. +THEIR POV 49 Dorothy comes out of the Gazette, wearing her cowboy hat. 49. +BACK TO THE MEN 50 Hank and Jake look eager to start jeering, but Loren is disturbed that Dorothy is seemingly out for another "date." +RESUME 51 Dorothy looks defiantly at the men. JAKE 'Nother "interview" with the Injun? DOROTHY That's right. HANK Dressed like that? Dorothy can't help glancing at her clothes. Hank explains: HANK No feathers. Them Injuns like their ladies with feathers. Dorothy narrows her eyes at him. A few TOWNSPEOPLE stop to observe, which only encourages Hank and Jake to continue. JAKE So what's the inside a Cloud Dancin's teepee look like? Dorothy fights to stay composed. DOROTHY He doesn't have a teepee, Jake. He's been forced to live in a shack. JAKE Oh. (beat) What's the inside a his shack look like? A few people cackle. Dorothy glances around, feeling the sting of their ridicule. Still, she straightens her spine. DOROTHY You'll have to read my book to find out. This gets Loren's dander up. He steps forward. (CONTINUED) 50. CONTINUED: 51 LOREN Ya mean ya really been inside with 'im? Dorothy looks at Loren, appealing to him, wishing they could talk in private. DOROTHY Loren... HANK Hey, Dorothy, I think I hear 'im callin' ya -- Hank puts his hand to his ear, but Dorothy hears nothing. Then Hank smiles and pats his hand to his mouth, making the Indian war call. A few townsfolk join in. Dorothy sags and glances around. The tears well in her throat. The taunting continues until Loren angrily steps forward. LOREN Alright, that's enough. Hank and the townsfolk stop. Loren looks at Dorothy. Dorothy struggles against her tears. She rushes back into the Gazette. EXT. HOMESTEAD - DAY SIX 52 Holding Katie near the bottom step, Mike reacts to Preston with confusion and alarm. MIKE Foreclose? PRESTON If I had any other options, Michaela -- MIKE Sully will be home in a few days -- PRESTON I'm afraid I can't wait that long. Several of my hotel's investors have lost money in the stock market, and two of them have already called in their loans. (CONTINUED) 51. CONTINUED: 52 MIKE But what does that have to do with my home? PRESTON I need funds. And your homestead is a very desirable property. I'm sure it will yield a handsome profit for the bank, and quickly. MIKE Well, I would expect a very difficult time selling it, Mr. Lodge, since its current owners have absolutely no intention of leaving. PRESTON Michaela -- MIKE And how convenient that you're taking advantage of a time when Sully is away. Preston glances behind her. He sees: +PRESTON'S POV 53 Daniel is at the window, observing them with curious concern from inside the house. He cannot hear their discussion. +PRESTON 54 Reacts slightly -- Sully's best friend is home alone with Michaela? He looks back at Mike. PRESTON I'd truly hoped to settle this matter without rancor, but -- unless you're prepared to pay all of your debts as soon as I open my bank in the morning, I have no choice left but to foreclose on your home and to legally -- and with force if necessary -- evict you. (CONTINUED) 52. CONTINUED: 54 Mike is staggered and upset as Preston climbs onto his horse and rides off. DISSOLVE TO: EXT. HOMESTEAD - NIGHT SIX 55 Mike returns from a walk, steeped in worry. She pauses near the barn, looking ahead. +MIKE'S POV 56 The house. Its windows glow in the darkness. The home's cozy charm has never looked warmer or more inviting. +BACK TO MIKE 57 As she hugs her coat closer, her eyes mist at the thought of losing something so precious. She lowers her head and walks on. +ANGLE ON - DANIEL 58 He steps outside onto the porch and looks down the road. +DANIEL'S POV 59 Mike moves pensively through the moonlight. +BACK TO DANIEL 60 He leans against the rail, quietly watching her, entranced. +RESUME 61 Mike comes closer and sees Daniel. He straightens out of his gaze. Mike hides her distress and musters a smile. MIKE Don't tell me tonight's checkers tournament is over. DANIEL 'Fraid I ain't much competition for 'im. Mike heads up the steps and stops beside Daniel. (CONTINUED) 53. CONTINUED: 61 DANIEL Can't seem to win a game in this house. Mike smiles softly. MIKE Would you mind if we don't play ours tonight? Daniel senses her troubled mood. DANIEL Michaela, is ev'rythin' alright? MIKE Of course, everything's fine. I'm just rather tired. Mike manages a reassuring smile. DANIEL Fact is... I'm kinda tired, too. MIKE Good night then, Daniel. DANIEL 'Night. Mike goes inside. OFF Daniel, watching her with concern... INT. HOMESTEAD - NIGHT SIX 62 It's late at night. Daniel comes downstairs and peeks around the kitchen for a snack. He finds something and heads back to bed. Glancing into the living room, he suddenly stops. +DANIEL'S POV 63 Mike is asleep in a chair by the dying fire. Her blanket has slipped to the floor. A notebook is still clutched in her fingers. +ANGLE ON - DANIEL 64 He quietly approaches Mike and stops to look at her with great tenderness. 54. +RESUME 65 Daniel tentatively and gently lifts the blanket over Mike's shoulders. Mike stirs, startled to see him. He backs off. DANIEL I'm sorry, Michaela... MIKE (groggy) I fell asleep... DANIEL It's real cold... Daniel awkwardly turns and puts another log on the fire. He looks back at Mike. She's holding her forehead, clearly distraught. DANIEL What's wrong? Mike shakes her head -- she doesn't want to burden him. DANIEL Somethin's happened. Tell me. Mike looks away, weary, anguished, vulnerable. The weight of her predicament bears down on her. MIKE Daniel, the -- Mike stops, fighting her rising tears. Daniel shifts closer. DANIEL What? What is it? Mike looks into Daniel's caring eyes. MIKE The homestead. Preston -- the banker -- first thing in the morning ... he's going to foreclose. DANIEL Foreclose? He can't do that. MIKE Apparently, he can and he will. And Sully won't be home in time to pay him. Daniel sighs in frustration, wishing he could assist. (CONTINUED) 55. CONTINUED: 65 MIKE I was trying to figure out a way... something... but there's nothing I can do... nothing... Mike's emotions overtake her and she turns away, crying. MIKE We're going to lose our home... Daniel watches, desperate to comfort her. DANIEL No. Mike turns to him. DANIEL I won't let ya. (emphatic) I'm payin' off that loan. MIKE No. DANIEL Yes. The way I see it, Sully earned that money, Michaela. Now I know he doesn't see it like that, but Sully sure wouldn't want ya to lose your home. He built this place outta love for you 'n 'is family. You can't let that banker just up 'n take it. Mike is torn. DANIEL Michaela, I'm Sully's oldest friend. I'm your friend now, too. Let me do this -- for all a you. Mike searches Daniel's eyes. She nods. INT. BANK - MORNING - DAY SEVEN 66 The clock strikes *ten. Preston strides to the front door, unlocks, and opens it. He is stunned to find: Mike standing on the threshold with Daniel beside her. She gives him a businesslike smile. MIKE Good morning, Mr. Lodge. (CONTINUED) 55A. CONTINUED: 66 DANIEL Mornin'. (CONTINUED) 56. CONTINUED: (2) 66 Preston steps aside, shocked, as Mike and Daniel brush past him into the bank. TIME DISSOLVE TO: EXT. ROAD LEADING TO THE HOMESTEAD - DAY EIGHT 67 Sully gallops toward the house. EXT. HOMESTEAD - CONTINUOUS - DAY EIGHT 68 Mike and Daniel step down from the porch, happy to see him. MIKE Sully! Sully rides over and climbs off his horse. Mike welcomes him with a hug. Daniel trails behind her. DANIEL How was the cattle drive? SULLY Went fine. (smiles at Mike) Paid me just what he promised. MIKE That's wonderful. SULLY Yep. I wanna ride straight into town. Pay Preston what we owe. MIKE You -- don't have to do that now. Sully looks at her, confused. Mike trades an uneasy glance with Daniel. Sully sees it, and is puzzled by the exchange. MIKE I paid off our mortgage, Sully. Sully is bewildered. SULLY Where'd ya get the money? Mike hesitates and casts her eyes toward Daniel. Sully turns to him incredulously. SULLY You gave it to her? (CONTINUED) 57. CONTINUED: 68 DANIEL That banker was gonna foreclose. This is a big surprise for Sully. He looks at Mike. MIKE Preston called in our loan. SULLY But I was comin' back with the money. MIKE Not enough. He demanded payment in full. SULLY Did ya stall 'im? Call 'is bluff? Mike falters. SULLY Did ya even try? Mike shares a look with Daniel -- in truth ... no, they didn't. Daniel steps forward to support Mike, to give her a way out. DANIEL Sully, there was nothin' we could do. SULLY We? This is about my family. It's got nothin' to do with you. I thought ya understood that. Daniel falls silent. Sully looks at him and Mike, feeling undermined, betrayed. Controlling his anger, he strides past them into the barn. Mike and Daniel look at each other, stung. FADE OUT. END OF ACT FOUR ÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜÜ€_